Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

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The camera also features an adjustable tilt 5” touchscreen LCD with 1500 nits of brightness, as well as a mini XLR audio input so that you can record with a professional microphone for the best audio possible. Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers autofocus. Iris Control Infamously, the Achilles heel of this camera series is poor battery life. The battery grip allows three batteries to be loaded which is a big help, although still not likely enough to get through a day of shooting. You are therefore faced with purchasing an ample supply of the petite standard batteries and chargers or adding something big and chunky like a battery base or v-mount solution. We don’t have too much to say about the image quality because we had to raid the cupboards for a couple of EF lenses to use it with, and they weren’t the best examples of modern optical science.

BLACKMAGIC Pocket Cinema Camera 6K G2 - Clifton Cameras

Electronic control via EF mount pins or 12pin broadcast connector for compatiblelenses Dynamic Range Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none.Resolutions: 6144 x 3456 (6K) up to 50 fps / 6144 x 2560 (6K 2.4:1) up to 60 fps / 5744 x 3024 (5.7K 17: 9) up to 60 fps / 4096 x 2160 (4K DCI) up to 60 fps / 3840 x 2160 (Ultra HD) up to 60 fps / 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps / 2868 x 1512 (2.8K 17:9) up to 120 fps / 1920 x 1080 (HD) up to 120 fps The Panasonic mentioned above S5 II also has a much less rolling shutter, which I found to be a major issue on the BMPCC 6K G2. Many hybrid cameras with full-frame sensors have less rolling shutter than this camera does. Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. Controls

Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design

The optional EVF has three additional eyecups of varying sizes and left/right eye configurations, which is excellent. x 2592, 4608 x 1920, 4096 x 2304, 4096 x 2160, 3840 x 2160, 3072 x 2560, 2048 x 1152, 2048 x 1080 and 1920 x 1080 Two of the biggest differences still in place between the 6K G2 and the 6K Pro are that the BMPCC 6K Pro has built-in ND filters and a brighter display – both of which can be quite meaningful to those who do a lot of shooting outdoors. Of course, you can always add ND filters to your lenses or get a brighter external monitor if these are issues for you – but they’ll add additional cost and bulk to your kit.

It’s easier to start with what the 6K G2 does not have relative to the 6K Pro than what it shares in common with that more powerful device. The 6K Pro has built-in neutral density (ND) filters, and the 6K G2 does not.