Kodak 6031330 Professional Ektar 100/36 Colour Negative Film

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About 15 months ago, I noticed they were posting some incredibly saturated, gorgeous images, explaining they had been shot with their various cameras (They shoot EVERYTHING) and Kodak Ektar 100 pushed two stops.

The Beauty of Ektar Pushed + 2 Stops · Lomography The Beauty of Ektar Pushed + 2 Stops · Lomography

His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. I decided to load each of my LC-As with Ektar 100 and set one of them to ISO 100 and one to ISO 400. And if you think others will also enjoy or benefit from this film review, help them find it by sharing or pinning. While I may sound engrossed with slides, and believe me I am, I want to talk about a color negative film that shares many of the great benefits of slide film but at both a fraction of the cost and difficulty.Bokeh Control Art Lens empowers you to craft enticing imagery using three distinctive effects: alluring soft focus, classic diffused backdrops and powerful soap bubble bokeh.

Kodak Ektar 100 Film Review: “World’s Finest Grain”

In this case (as was common) the film was overexposed, because color negative film had a much greater tolerance to overexposure than underexposure (kind of the opposite of digital). The film offers ultra-fine grains, ultra-vivid colors, and high saturation, and is available in ISO 100 only. When speaking in terms of grain acutance and resolution Velvia and other slide films will also edge out Ektar.Felipe’s journey with film photography started as a teenager with a Lomography Actionsampler camera, and ever since he’s been trying out new methods of altering and transforming his photos with incredible results. Grain is a complicated, never-repeating pattern of microscopic clumps of chemicals; their size may alter depending on various conditions, and there are no perceptibly-defined grains’ edges. Apart from more open shadows in the shots that were underexposed and pushed, there is very little difference, to my eye.